Working primarily through gestural representational painting, Laura Findlay compresses massive sublime natural forces to the confines of a canvas, while exposing and enlarging the quiet and mysterious world of nocturnal bodies.
During her residency at Open Studio, Findlay used a dark field monotype printing process to render images from a garden at night, considering it as a transitory site to examine the interplay in notions of nature, the environment, and technology. The cycle of life and death and rebirth in a garden echoes the sequence of how Findlay produces a print by adding, manipulating, and wiping away ink to produce an image before affixing it to paper. She explores how these subjects and actions can be intertwined in a project that marries the process and the idea on the surface of the work.
Sleepers (Ghost), 2022, monotype, edition: 1/1. Paper size: 25 5/8 x 21 5/8 in. Image size: 19 5/8 x 15 5/8 in. Unframed. Availability: Available through Open Studio Toronto, please inquir
Sweetest in the Gale, 2022, monotype, edition: 1/1. Paper size: 25 5/8 x 21 5/8 in. Image size: 19 5/8 x 15 5/8 in. Unframed. Availability: Available through Open Studio Toronto, please inquire
Sweetest in the Gale Ghost, 2022, monotype, edition: 1/1. Paper size: 25 5/8 x 21 5/8 in. Image size: 19 5/8 x 15 5/8 in. Unframed. Availability: Available through Open Studio Toronto, please inquire
Black Dandelion Study, 2022, monotype, edition: 1/1. Paper size: 22 1/4 x 14 3/4 in. Image size: 17 3/4 x 12 in. Unframed. Availability: please inquire
Colour Rose Study 1 (Ghost), 2022, monotype, edition: 1/1. Paper size: 11 x 7 1/2 in. Image size: 10 1/2 x 7 in. Unframed. Availability: please inquire